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| They can dance “our” dances |
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| Įrašė Moacir P. de Sá Pereira | |
| 2008.07.17 09.36 | |
![]() Lietuviškas tautinis šokis? The argument, seen as a compromise to Darius Udrys’s suggestion of having a Litvak (or other Ashkenazi) dance group perform a dance at Šokių šventė, is that if said dance group were to download “our” music and learn “our” dances, they would be more than welcome to dance at “our” šventė. Making this claim ignores the fact that Litvak dances are already “our” dances, if we imagine ourselves as Lithuanians. In fact, I hold it out as a source of shame that—inviting a Litvak group notwithstanding—the organizers of Šokių šventė have never seen it fit to include dances emerging from the immense (and culturally fecund) Jewish community of Lithuania. And if the response then turns to a lack of cultural specificity in the other dances, I present the following two pieces of evidence: 1. Even if we assume that Litvak dances—regardless of who is dancing them—have “no place” in a Lithuanian Folk Dance Festival (an offensive assumption, but whatever), what on earth place does the “Virginia Reel” have at such a Festival? At the 1976 Šokių šventė, as I have pointed out before, the dancers danced the “Virginia Reel.” This is a simple historical fact. Trying to make a claim for it as a “Lithuanian folk dance,” seems a bit far fetched, even as Lithuanian boosters are wont to make claims for the presence of Lithuanians in John Smith’s Jamestown colony. Of course, the dancers danced the “Virginia Reel” to celebrate the bicentennial of the US. I was a babe then, so I have no idea how the dance went down or if there were even sarcastic, farcical attempts to fold the dance into any kind of Lithuanian tradition. But it stands there, as a big, stinking, sweaty counterexample to the propriety of having “non-Lithuanian” dances at Šventė. When the dance comes from a group we like (atavistic Scotch-Irish), we do their dances. When it’s a group we don’t... 2. Yet even the dances that are classified as “Lithuanian folk dances” have cultural specificity to them affixed to minority groups within Lithuania already. Here I point to the always popular “Pempel, pempel.” Any glance at any version of the lyrics will confound a speaker of Lithuanian. It looks like Lithuanian, some words are intelligible, but others are not at all. The lyrics are, of course, in Samogitian, not standard Lithuanian, and the song is a Samogitian song. And for anyone who begins to argue that “žemaičiai — lietuviai,” I encourage you to read up on Antanas Kontrimas, the figurehead of the movement to get Samogitian listed as an official minority nationality in Lithuania. So it’s ok to dance “Pempel, pempel,” a dance of questionable and dubious “Lithuanianness,” but not ok to dance a “Litvak” dance. It is ok to dance a dance with lyrics that are in the vicinity of incomprehensible, because somehow the minority community of Samogitians has been welcomed under the Lithuanian umbrella. But because a noxious history of anti-Semitism has not granted the same to the community of Jews living within the same area, their dances do not count as “Lithuanian.” It’s actually funny—as a child, I relished “Pempel, pempel” precisely because of its stark cultural otherness. It was the one song we sang at stovykla that I could not understand, so I got extra interested in it and fascinated by it. Ironically, I always looked at it as the “token” Samogitian song in our dainorėliai in exactly the same way that I always looked at “Shalom Chaverim” as the token Hebrew song that we would sing at our school Christmas pageants. To repeat, then: saying that any dance group that would learn “our” dances was welcome to dance is a canard, because it never stops to consider what sort of political damage we are doing by deciding what is “ours” and what is not “ours.” It is precisely over this incuriousness that the current mess erupted. Udrys aggressively suggested we abandon that laziness and spend some time to reconsider what is “ours,” but the atavistic cultural wing of JAVLB freaked out. “Ours” is what JAVLB (and its ŠŠRK) say it is, even if that arbitrarily includes the “Virginia Reel” and “Pempel, pempel.” |